[Intro] [Distorted bass drone intensifies, metallic scrape, high-pitched feedback whine builds, pounding k**k drum enters] [Verse 1] Silence dies. Machines rise. Pressure builds. Circuitry spills. Silence dies. Machines rise. [Drop 1] [Full force: Relentless distorted bassline, pounding 4/4 k**k, sharp snare on 2 and 4, metallic screeches panning] BREAK IT DOWN! (Shouted, distorted) SYSTEM OVERRIDE! (Shouted, distorted) BREAK IT DOWN! SYSTEM OVERRIDE! [High-frequency saw wave stabs cut through the bass] [Verse 2] Noise ascends. All sound ends. Static reign. Feedback pain. Noise ascends. All sound ends. [Drop 2] [Even heavier bass modulation, faster snare rolls layered over core b**t, distorted sub-bass drops] CRUSH THE QUIET! (Shouted, distorted) FREQUENCY R**T! (Shouted, distorted) CRUSH THE QUIET! FREQUENCY R**T! [Industrial metal clang sample] [Break] [Abrupt stop. Stark, dissonant, heavily reverberated piano chords ring out slowly, ominously. Distant distorted vocal sample: "Silence... dies..."] [Drop 3] [K**k and bass slam back in with maximum force, faster tempo than before. Snare is sharper, more metallic. Saws and screeches are layered chaotically] THE DEATH! (Shouted, distorted) OF SILENCE! (Shouted, distorted) THE DEATH! OF SILENCE! [Pure sonic a*****t] [Outro] [Elements start to distort and feedback uncontrollably. Bassline becomes unstable, glitching. K**k drum falters. High-end noise washes over everything, then cuts abruptly to a final distorted bass note that decays into ringing feedback]